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Telos Omnia ONE Audio Processor USED

 1.350,00

Telos Omnia ONE Audio Processor USED

The Telos Omnia® ONE is a FM, AM, HD Radio, DAB, DRM, Studio Pro, Stereo Generator, multicasting, podcasting, netcasting or satcasting unit as needed.

Category: SKU: 1480

Description

Telos Omnia ONE Audio Processor USED

The Telos Omnia® ONE is a FM, AM, HD Radio, DAB, DRM, Studio Pro, Stereo Generator, multicasting, podcasting, netcasting or satcasting unit as needed.
12,000+ Omnia ONEs. That’s how many are on the air around the world. Engineers tell us of reliability and ease of operation. Program Directors love the power and punch of genuine Omnia processing. General Managers love the price.Omnia One Version 2.8 firmware now provides a separate application to run your remote, and no longer depends on native Java compatibility in your browser.

FM

Smart wideband AGC followed by advanced Four-Band AGC and selectable Four or Five-Band Peak Limiter sections. Omnia’sadvanced, fully distortion-controlled, pre-emphasized final limiter / clipper. A newly designed digital stereo generator with SCA convenience input, two independently adjustable composite MPX outputs and 19kHz pilot output for synchronization to external RDS generators.

AM

Omnia’s advanced NRSC compliant, distortion-managed final limiter / clipper, including selectable Low Pass Filter frequencies that support AM HD transmission installations…the same as used in the Omnia ONE’s bigger siblings.

Multicast

Features SENSUS®, an audio conditioning technology to minimize codec artifacts as well as restore the fullness and depth that bit-reduction steals. See expanded explanation about SENSUS technology later in this brochure. Ultra low-distortion final limiting optimized for the HD codec.

Studio Pro

Full-bandwidth processor for applications that require minimal delay and do not require absolute peak limiting. The first studio processor to include a four-band compressor / limiter allowing you precise and accurately defined control while pre-processing music, commercials, remote feeds, or sweetening audio. Applications include recording studios, mastering labs, TV stations, radio headphone feeds … just abut any application where signal processing is needed.

 

Additional Features

  • Price includes software downloads for FM, AM, internet/satellite, studio processing`, or Stereo Generator on demand if necessary
  • Balanced XLR Analog inputs and outputs, plus Digital AES/EBU input, output and external Sync
  • Browser-based remote control and configuration
  • Automatic backup input switching
  • Livewire® / Ethernet RJ45 jack
  • Universal Power Input
  • Robust headphone amp with rugged jack and front panel volume control
  • Single Jog-Wheel and Selection Button user interface with LED level metering and LCD screen

Omnia ONE Specifications

Omnia ONE FM & SG

Frequency Response

  • Complies with the standard 50 or 75 microsecond pre-emphasis curve within ± 0.50 dB, 30 Hz to 15 kHz. The analog left/right outputs and AES/EBU Digital outputs can be configured for flat or pre- emphasized output.

System Distortion

  • Less than 0.01% THD, 20 Hz – 7.5 kHz. Second harmonic distortion above 7.5 kHz is not audible in the FM system.
  • *Signal-Noise Ratio: > -80 dB de-emphasized, 20 Hz –- 15 kHz bandwidth, referenced to 100% modulation).*The measured noise floor will depend upon the settings of the Input and Output Gain controls and is primarily governed by dynamic range of the Crystal Semiconductor CS5361 A/D Converter which is specified as >110 dB. The dynamic range of the internal digital signal processing chain is >144 dB.

Stereo Separation

  • Greater than 65 dB, 20 Hz –- 15 kHz; 70 dB typical.

Crosstalk

  • > -70 dB, 20 Hz — 15 kHz

Composite Outputs

  • Source Impedance: 5 ohms or 75 ohms, jumper-selectable. Single-ended and floating over chassis ground.
  • Output Level: 0V to 10V in 0.05V steps, software adjustable.
  • D/A Conversion: Texas Instruments/Burr Brown PCM1798, 24-bit sigmadelta converter.
  • Configuration: Two electrically independent outputs. Software based level adjustment.
  • Load Impedance: 50 ohms or greater load is suggested.
  • Pilot Level: Adjustable from 4.0% to 12.0% in 0.1% steps and OFF.
  • Pilot Stability: 19 kHz, ± 0.5 Hz.
  • Signal-to-Noise Ratio: -85 dB typical, 75 μS de-emphasized, 15 kHz bandwidth, referenced to 100% modulation).
  • Distortion: < 0.02% THD 20 Hz – 15 kHz bandwidth, 75 μS deemphasized, referenced to 100% modulation.
  • Stereo Separation: > 65 dB, 30 Hz – 15 kHz.
  • Linear Crosstalk: > -80 dB, main to sub or sub to main channel (referenced to 100% modulation).
  • Non-linear Crosstalk: > -80 dB, main to sub or sub to main channel (referenced to 100% modulation).
  • 8 kHz Suppression: > 70 dB (referenced to 100% modulation).
  • 76 kHz Suppression: > 80 dB (referenced to 100% modulation).
  • Pilot Protection: > -65 dB relative to 9% pilot injection, ± 1 kHz. 57 kHz (RDS/RBDS) Protection: better than -50 dB.
  • Connectors: Two EMI suppressed female BNC, floating over chassis ground.
  • Maximum Load Capacitance: 5nF (at 10 ohms source impedance).
  • Maximum cable length: 100 feet/30 meters RG-58A/U.

Analog Audio Input

  • Left/Right Stereo.
  • Electronically balanced.
  • Input impedance 10k ohms resistive.
  • Maximum Input Level: +22 dBu.
  • Nominal Input Level: +4dBu, which nets a -18dBFS input meter reading on a steady-state signal when the Input Gain control is set to 0.0dB. Program material with a nominal average level (VU reading) of +4dBu will typically produce peak readings on the input meter in the range of -12 dBFS to -6dBFS. This is the correct operating level.
  • A/D Conversion: Crystal Semiconductor CS5361, 24 bit 128x oversampled delta sigma converter with linear-phase anti-aliasing filter.
  • Pre-ADC anti-alias filter, with high-pass filter at <10 Hz.
  • Connectors: Two, EMI-suppressed XLR-female. Pin 1 chassis ground, Pin 2 “Hot”.

Analog Audio Output

  • Left/Right Stereo. Electronically balanced.
  • Output Impedance 20 ohms.
  • Minimum load Impedance: 600 ohms.
  • Output Level adjustable from -2 dBu to +22dBu peak in 0.1dB steps.

D/A Conversion

  • Crystal Semiconductor CS4391, 24 bit, 128x oversampled.
  • Connectors: Two, EMI-suppressed XLR-male. Pin 1 chassis ground, Pin 2 “Hot”

Digital Audio Input

  • Configuration: Stereo per AES/EBU standard, CS8420 Digital Audio Transceiver with 24 bit resolution, software selection of stereo, mono from left, mono from right or mono from sum.
  • Automatically accepts and locks to input sample rates between 32 and 108 kHz.
  • Connector: EMI-suppressed RJ-45 female pinned according to StudioHub+® standards. Transformer isolated, balanced, and floating according to AES3 standard.

Digital Audio Output

  • Stereo per AES3 standard. Digital Output sample rate can lock to the input, lock to an additional external sync source, or use the internal 48kHz rate.
  • Connector: EMI-suppressed RJ-45 female according to Studio- Hub+® standards. Transformer isolated, balanced, and floating according to AES3 standard.

Digital Output Level

  • -24.0 to 0.0 dBFS peak, software adjustable in 0.1dB steps.

External Sync Input

  • External Sync: Allows the output sample rate to be synchronized to an AES3 signal applied to the Ext. Sync input connector. (Does not accept Word Clock inputs)
  • Connector: EMI-suppressed RJ-45 female according to Studio- Hub+® standards. Transformer isolated, balanced, and floating according to AES3 standard.

External Sync Range

  • Automatically accepts sample rates between 32kHz and 96kHz.
  • Connector: EMI-suppressed RJ-45 female pinned according to StudioHub+® standards, Transformer isolated, balanced, and floating according to AES3 standard.

Remote Control Methods

  • Ethernet: TCP/IP control via web page interface and Java (TM) remote control program included in the web pages. All software is served from the built-in web server; there is nothing to install on the user’s computer.
  • Ports Used: The defaults are TCP Ports 4545 and 4546 (for control and metering data, respectively
  • Connectors: Modem port – EMI-suppressed DB-9 male connector. Ethernet – Industry standard EMI- suppressed RJ-45 connector.

GPI Interface

  • Connector: EMI suppressed DB-9 female connector.

Power Requirements

  • Voltage: 100-250 VAC, 47-63 Hz., Less than 40 VA.
  • Power Connector: EMI suppressed IEC male. Detachable 3-wire power cords supplied for US and European use.
  • Power Supply: Internal. Overvoltage and short circuit protected. Meets EN55022, EN55011 Level B Conducted Emissions. EN61000-4-2, -3, -4, -5, -6 level 3 immunity compliant. Full international safety approval. CE marked.
  • Environmental: Operating Temperature: 32 to 122 deg. F / 0 to 50 deg. C for all operating voltage ranges. Humidity: 0-95% RH, non-condensing.

Omnia ONE AM

Notes

  • Discrete I/O measurements have been made in “Bypass” mode (available in the Input/Output menu).
  • All measurements made with the supplied “FACT_TEST” preset, which is available in the Preset Submenu.

System Frequency Response

  • Complies with the NRSC emphasis curve within ± 0.50 dB, 30 Hz to 10 kHz. (At a setting of “10” on the
    HF EQ control)

System *Signal to Noise Ratio

-80 dB de-emphasized, 20 Hz – -10 kHz NRSC bandwidth, referenced to 100% modulation).

*The measured noise floor will depend upon the settings of the Input and Output Gain controls and
is primarily governed by dynamic range of the Crystal Semiconductor CS5361 A/D Converter which is specified as >110 dB. The dynamic range of the internal digital signal processing chain is >144 dB.

System Distortion

  • Less than 0.01% THD, 20 Hz – 5 kHz. (second order harmonic
  • Distortion above 5 kHz is not relevant in the AM system due to the removal of harmonics by the system’s 10 kHz low pass filter)

System Stereo Separation

  • Greater than 65 dB, 20 Hz –- 10 kHz; greater than 70 dB typical.

Analog Audio Input

  • Left/Right Stereo.
  • Electronically balanced.
  • Input impedance 10k ohms resistive.
  • Maximum Input Level: +22 dBu.
  • Nominal Input Level: +4dBu, which nets a -18dBFS input meter reading on a steady-state signal when the Input Gain control is set to 0.0dB. Program material with a nominal average level (VU reading) of +4dBu will typically produce peak readings on the input meter in the range of -12 dBFS to -6dBFS. This is the correct operating level.

A/D Conversion

  • Crystal Semiconductor CS5361, 24 bit 128x over-sampled delta sigma converter with linear-phase anti-aliasing filter. Pre-ADC anti-alias filter, with high-pass filter at <10 Hz.
  • Connectors: Two, EMI-suppressed XLR-female. Pin 1 chassis ground, Pin 2 “Hot”

Analog Audio Output

  • Left/Right Stereo. Electronically balanced.
  • Output Impedance 20 ohms.
  • Minimum load Impedance: 600 ohms.
  • Output Level adjustable from -2 dBu to +22dBu peak in 0.1dB steps.
  • D/A Conversion: Crystal Semiconductor CS4391, 24 bit, 128x oversampled.
  • Connectors: Two, EMI-suppressed XLR-male. Pin 1 chassis ground, Pin 2 “Hot”.

Digital Audio Input

  • Configuration: Stereo per AES/EBU standard, CS8420 Digital Audio Transceiver with 24 bit resolution, software selection of stereo, mono from left, mono from right or mono from sum.
  • Automatically accepts and locks to input sample rates between 32 and 108 kHz.
  • Connector: EMI-suppressed RJ-45 female pinned according to StudioHub+® standards. Transformer isolated, balanced, and floating according to AES3 standard.

Digital Audio Output

  • Stereo per AES3 standard. Digital Output sample rate can lock to the input, lock to an additional external sync source, or use the internal 48kHz rate.
  • Connector: EMI-suppressed RJ-45 female according to Studio- Hub+® standards. Transformer isolated, balanced, and floating according to AES3 standard.

Digital Output Level

  • -24.0 to 0.0 dBFS peak, software adjustable in 0.1dB steps.

External Sync Input

  • External Sync: Allows the output sample rate to be synchronized to an AES3 signal applied to the Ext. Sync input connector. (Does not accept Word Clock inputs)
  • Connector: EMI-suppressed RJ-45 female according to StudioHub+® standards. Transformer isolated, balanced, and floating according to AES3 standard.

External Sync Range

  • Automatically accepts sample rates between 32kHz and 96kHz.
  • Connector: EMI-suppressed RJ-45 female pinned according to StudioHub+ standards, Transformer isolated, balanced, and floating according to AES3 standard.

Remote Control Methods

  • Ethernet: TCP/IP control via web page interface and JavaTM remote control program included in the web pages. All software is served from the built-in web server; there is nothing to install on the user’s computer.
  • Ports Used: The defaults are TCP Ports 4545 and 4546 (for control and metering data, respectively)
  • Connectors: Serial port – EMI-suppressed DB-9 male connector.
  • Ethernet – Industry standard EMI-suppressed RJ-45 connector.

GPI Interface

  • Connector: EMI suppressed DB-9 female connector.

Power Requirements

  • Voltage: 100-250 VAC, 47-63 Hz., Less than 40 VA.
  • Power Connector: EMI suppressed IEC male.
  • Detachable 3-wire power cords supplied for US and European use.
  • Power Supply: Internal. Overvoltage and short circuit protected. Meets EN55022, EN55011 Level B Conducted Emissions. EN61000-4-2, -3, -4, -5, -6 level 3 immunity compliant. Full international safety approval. CE marked.

Environmental

  • Operating Temperature: 32 to 122 deg. F / 0 to 50 deg. C for all operating voltage ranges. Humidity:
    0-95% RH, non-condensing.

 

Omnia ONE Multicast/DAB & Studio Pro

Note

  • All measurements made using “Bypass” mode, which is available in the Input/Output menu.

General Audio Specifications

  • Frequency Response: ± 0.50 dB, 20 Hz to 20 kHz with high pass filter disabled.
  • Distortion: Less than 0.05% THD 20 Hz – 20 kHz bandwidth.
  • *Signal-Noise Ratio: Greater than -100 dB, 20 Hz –- 20 kHz bandwidth, referenced to 0dBfs

*The measured noise floor will depend upon the settings of the Input and Output Gain controls and is primarily governed by dynamic range of the Crystal Semiconductor A/D Converter which is specified as
>100 dB. The dynamic range of the internal digital signal processing chain is >144 dB.

Stereo Separation

  • Greater than 80 dB, 20 Hz –- 20 kHz; 90 dB typical.

Analog Audio Input

  • Left/Right Stereo.
  • Electronically balanced.
  • Input impedance 10k ohms resistive.
  • Maximum Input Level +24 dBu.
  • Nominal Input Level: +4dBu (A +12dBu input results in –12dBFS input meter reading with Input Gain set to 0.0dB. A 0dBu input signal results in a -12dBFS input level when Input Gain is +12dB.)

A/D Conversion

  • Crystal Semiconductor 24 bit 128x oversampled delta sigma converter with linear-phase anti-aliasing filter. Pre-ADC anti-alias filter, with highpass filter at <10 Hz.
  • Connectors: Two, EMI-suppressed XLR-female. Pin 1 chassis ground, Pin 2 “Hot”.

Analog Audio Output

  • Left/Right Stereo. Electronically balanced.
  • Output Impedance 20 ohms.
  • Minimum load Impedance 600 ohms.
  • Output Level adjustable from -2 dBu to +22dBu peak in 0.1dB steps.
  • D/A Conversion: Crystal Semiconductor CS4390 24 bit, 128x oversampled.
  • Connectors: Two, EMI-suppressed XLR-male. Pin 1 chassis ground, Pin 2 “Hot”.

Digital Audio Input

  • Configuration: Two-channel stereo per AES3 standard via CS8420 Digital Audio Transceiver with 24-bit resolution. Software selection of stereo, mono from left, mono from right or mono from sum. Automatically accepts sample rates between 24 kHz and 96 kHz.
  • Connector: EMI-suppressed RJ-45 female pinned according to StudioHub+® standards. Transformer isolated, balanced, and floating according to AES3 standard.

Digital Audio Output

  • Stereo per AES3 standard. Digital Output sample rate software selectable for internal 48kHz, synchronize to AES input, or synchronize to auxiliary AES sync input (per AES-11 / DARS).
  • Connector: EMI-suppressed RJ-45 female according to Studio- Hub+® standards. Transformer isolated, balanced, and floating according to AES3 standard.

Digital Output Level

  • -22.0 to 0.0 dBFS peak, software adjustable in 0.1dB steps.

Digital Sync Input

  • Output sample rate can be synchronized to the signal present on the AES/EBU input or to the AES3 signal applied to the Ext. Sync connector.

External Sync Range

  • Accepts 32kHz to 96 kHz for synchronization of the Digital
  • Output signal to an external reference. Automatically accepts sample rates between 32kHz and 96kHz.
  • Connector: EMI-suppressed RJ-45 female pinned according to StudioHub+® standards, Transformer isolated, balanced, and floating according to AES3 standard.

Remote Control Methods

  • Ethernet: TCP/IP control via web page interface and JavaTM remote control program included in the web pages. All software is served from the built-in web server; there is nothing to install on the user’s computer.
  • Ports Used: The defaults are TCP Ports 4545 and 4546 (for control and metering data, respectively).
  • Connectors: Serial port – EMI-suppressed DB-9 male connector.
  • Ethernet – Industry standard EMI-suppressed RJ-45 connector.

GPI Interface

  • Connector: EMI suppressed DB-9 female connector.

Power Requirements

  • Voltage: 100-250 VAC, 47-63 Hz. Less than 25 VA.

Power Connector

  • EMI suppressed IEC male.
  • Detachable 3-wire power cords supplied for US and European use.

Power Supply

  • Internal. Overvoltage and short circuit protected. Meets EN55022, EN55011 Level B Conducted Emissions. EN61000-4-2, -3, -4, -5, -6 level 3 immunity compliant. Full international safety approval. CE marked

Environmental

  • Operating Temperature: 32 to 122 deg. F / 0 to 50 deg. C for all operating voltage ranges. Humidity:
    0-95% RH, non-condensing.

Regulatory

North America: FCC and CE tested and compliant, power supply is UL approved.

Europe: Complies with the European Union Directive 2002/95/EC on the restriction of the use of certain hazardous substances in electrical and electronic equipment (RoHS), as amended by Commission Decisions 2005/618/EC, 2005/717/ EC, 2005/747/EC (RoHS Directive), and WEEE.

Description

Telos Omnia ONE Audio Processor USED

The Telos Omnia® ONE is a FM, AM, HD Radio, DAB, DRM, Studio Pro, Stereo Generator, multicasting, podcasting, netcasting or satcasting unit as needed.
12,000+ Omnia ONEs. That’s how many are on the air around the world. Engineers tell us of reliability and ease of operation. Program Directors love the power and punch of genuine Omnia processing. General Managers love the price.Omnia One Version 2.8 firmware now provides a separate application to run your remote, and no longer depends on native Java compatibility in your browser.

FM

Smart wideband AGC followed by advanced Four-Band AGC and selectable Four or Five-Band Peak Limiter sections. Omnia’sadvanced, fully distortion-controlled, pre-emphasized final limiter / clipper. A newly designed digital stereo generator with SCA convenience input, two independently adjustable composite MPX outputs and 19kHz pilot output for synchronization to external RDS generators.

AM

Omnia’s advanced NRSC compliant, distortion-managed final limiter / clipper, including selectable Low Pass Filter frequencies that support AM HD transmission installations…the same as used in the Omnia ONE’s bigger siblings.

Multicast

Features SENSUS®, an audio conditioning technology to minimize codec artifacts as well as restore the fullness and depth that bit-reduction steals. See expanded explanation about SENSUS technology later in this brochure. Ultra low-distortion final limiting optimized for the HD codec.

Studio Pro

Full-bandwidth processor for applications that require minimal delay and do not require absolute peak limiting. The first studio processor to include a four-band compressor / limiter allowing you precise and accurately defined control while pre-processing music, commercials, remote feeds, or sweetening audio. Applications include recording studios, mastering labs, TV stations, radio headphone feeds … just abut any application where signal processing is needed.

 

Additional Features

  • Price includes software downloads for FM, AM, internet/satellite, studio processing`, or Stereo Generator on demand if necessary
  • Balanced XLR Analog inputs and outputs, plus Digital AES/EBU input, output and external Sync
  • Browser-based remote control and configuration
  • Automatic backup input switching
  • Livewire® / Ethernet RJ45 jack
  • Universal Power Input
  • Robust headphone amp with rugged jack and front panel volume control
  • Single Jog-Wheel and Selection Button user interface with LED level metering and LCD screen
Specifications

Omnia ONE Specifications

Omnia ONE FM & SG

Frequency Response

  • Complies with the standard 50 or 75 microsecond pre-emphasis curve within ± 0.50 dB, 30 Hz to 15 kHz. The analog left/right outputs and AES/EBU Digital outputs can be configured for flat or pre- emphasized output.

System Distortion

  • Less than 0.01% THD, 20 Hz – 7.5 kHz. Second harmonic distortion above 7.5 kHz is not audible in the FM system.
  • *Signal-Noise Ratio: > -80 dB de-emphasized, 20 Hz –- 15 kHz bandwidth, referenced to 100% modulation).*The measured noise floor will depend upon the settings of the Input and Output Gain controls and is primarily governed by dynamic range of the Crystal Semiconductor CS5361 A/D Converter which is specified as >110 dB. The dynamic range of the internal digital signal processing chain is >144 dB.

Stereo Separation

  • Greater than 65 dB, 20 Hz –- 15 kHz; 70 dB typical.

Crosstalk

  • > -70 dB, 20 Hz — 15 kHz

Composite Outputs

  • Source Impedance: 5 ohms or 75 ohms, jumper-selectable. Single-ended and floating over chassis ground.
  • Output Level: 0V to 10V in 0.05V steps, software adjustable.
  • D/A Conversion: Texas Instruments/Burr Brown PCM1798, 24-bit sigmadelta converter.
  • Configuration: Two electrically independent outputs. Software based level adjustment.
  • Load Impedance: 50 ohms or greater load is suggested.
  • Pilot Level: Adjustable from 4.0% to 12.0% in 0.1% steps and OFF.
  • Pilot Stability: 19 kHz, ± 0.5 Hz.
  • Signal-to-Noise Ratio: -85 dB typical, 75 μS de-emphasized, 15 kHz bandwidth, referenced to 100% modulation).
  • Distortion: < 0.02% THD 20 Hz – 15 kHz bandwidth, 75 μS deemphasized, referenced to 100% modulation.
  • Stereo Separation: > 65 dB, 30 Hz – 15 kHz.
  • Linear Crosstalk: > -80 dB, main to sub or sub to main channel (referenced to 100% modulation).
  • Non-linear Crosstalk: > -80 dB, main to sub or sub to main channel (referenced to 100% modulation).
  • 8 kHz Suppression: > 70 dB (referenced to 100% modulation).
  • 76 kHz Suppression: > 80 dB (referenced to 100% modulation).
  • Pilot Protection: > -65 dB relative to 9% pilot injection, ± 1 kHz. 57 kHz (RDS/RBDS) Protection: better than -50 dB.
  • Connectors: Two EMI suppressed female BNC, floating over chassis ground.
  • Maximum Load Capacitance: 5nF (at 10 ohms source impedance).
  • Maximum cable length: 100 feet/30 meters RG-58A/U.

Analog Audio Input

  • Left/Right Stereo.
  • Electronically balanced.
  • Input impedance 10k ohms resistive.
  • Maximum Input Level: +22 dBu.
  • Nominal Input Level: +4dBu, which nets a -18dBFS input meter reading on a steady-state signal when the Input Gain control is set to 0.0dB. Program material with a nominal average level (VU reading) of +4dBu will typically produce peak readings on the input meter in the range of -12 dBFS to -6dBFS. This is the correct operating level.
  • A/D Conversion: Crystal Semiconductor CS5361, 24 bit 128x oversampled delta sigma converter with linear-phase anti-aliasing filter.
  • Pre-ADC anti-alias filter, with high-pass filter at <10 Hz.
  • Connectors: Two, EMI-suppressed XLR-female. Pin 1 chassis ground, Pin 2 “Hot”.

Analog Audio Output

  • Left/Right Stereo. Electronically balanced.
  • Output Impedance 20 ohms.
  • Minimum load Impedance: 600 ohms.
  • Output Level adjustable from -2 dBu to +22dBu peak in 0.1dB steps.

D/A Conversion

  • Crystal Semiconductor CS4391, 24 bit, 128x oversampled.
  • Connectors: Two, EMI-suppressed XLR-male. Pin 1 chassis ground, Pin 2 “Hot”

Digital Audio Input

  • Configuration: Stereo per AES/EBU standard, CS8420 Digital Audio Transceiver with 24 bit resolution, software selection of stereo, mono from left, mono from right or mono from sum.
  • Automatically accepts and locks to input sample rates between 32 and 108 kHz.
  • Connector: EMI-suppressed RJ-45 female pinned according to StudioHub+® standards. Transformer isolated, balanced, and floating according to AES3 standard.

Digital Audio Output

  • Stereo per AES3 standard. Digital Output sample rate can lock to the input, lock to an additional external sync source, or use the internal 48kHz rate.
  • Connector: EMI-suppressed RJ-45 female according to Studio- Hub+® standards. Transformer isolated, balanced, and floating according to AES3 standard.

Digital Output Level

  • -24.0 to 0.0 dBFS peak, software adjustable in 0.1dB steps.

External Sync Input

  • External Sync: Allows the output sample rate to be synchronized to an AES3 signal applied to the Ext. Sync input connector. (Does not accept Word Clock inputs)
  • Connector: EMI-suppressed RJ-45 female according to Studio- Hub+® standards. Transformer isolated, balanced, and floating according to AES3 standard.

External Sync Range

  • Automatically accepts sample rates between 32kHz and 96kHz.
  • Connector: EMI-suppressed RJ-45 female pinned according to StudioHub+® standards, Transformer isolated, balanced, and floating according to AES3 standard.

Remote Control Methods

  • Ethernet: TCP/IP control via web page interface and Java (TM) remote control program included in the web pages. All software is served from the built-in web server; there is nothing to install on the user’s computer.
  • Ports Used: The defaults are TCP Ports 4545 and 4546 (for control and metering data, respectively
  • Connectors: Modem port – EMI-suppressed DB-9 male connector. Ethernet – Industry standard EMI- suppressed RJ-45 connector.

GPI Interface

  • Connector: EMI suppressed DB-9 female connector.

Power Requirements

  • Voltage: 100-250 VAC, 47-63 Hz., Less than 40 VA.
  • Power Connector: EMI suppressed IEC male. Detachable 3-wire power cords supplied for US and European use.
  • Power Supply: Internal. Overvoltage and short circuit protected. Meets EN55022, EN55011 Level B Conducted Emissions. EN61000-4-2, -3, -4, -5, -6 level 3 immunity compliant. Full international safety approval. CE marked.
  • Environmental: Operating Temperature: 32 to 122 deg. F / 0 to 50 deg. C for all operating voltage ranges. Humidity: 0-95% RH, non-condensing.

Omnia ONE AM

Notes

  • Discrete I/O measurements have been made in “Bypass” mode (available in the Input/Output menu).
  • All measurements made with the supplied “FACT_TEST” preset, which is available in the Preset Submenu.

System Frequency Response

  • Complies with the NRSC emphasis curve within ± 0.50 dB, 30 Hz to 10 kHz. (At a setting of “10” on the
    HF EQ control)

System *Signal to Noise Ratio

-80 dB de-emphasized, 20 Hz – -10 kHz NRSC bandwidth, referenced to 100% modulation).

*The measured noise floor will depend upon the settings of the Input and Output Gain controls and
is primarily governed by dynamic range of the Crystal Semiconductor CS5361 A/D Converter which is specified as >110 dB. The dynamic range of the internal digital signal processing chain is >144 dB.

System Distortion

  • Less than 0.01% THD, 20 Hz – 5 kHz. (second order harmonic
  • Distortion above 5 kHz is not relevant in the AM system due to the removal of harmonics by the system’s 10 kHz low pass filter)

System Stereo Separation

  • Greater than 65 dB, 20 Hz –- 10 kHz; greater than 70 dB typical.

Analog Audio Input

  • Left/Right Stereo.
  • Electronically balanced.
  • Input impedance 10k ohms resistive.
  • Maximum Input Level: +22 dBu.
  • Nominal Input Level: +4dBu, which nets a -18dBFS input meter reading on a steady-state signal when the Input Gain control is set to 0.0dB. Program material with a nominal average level (VU reading) of +4dBu will typically produce peak readings on the input meter in the range of -12 dBFS to -6dBFS. This is the correct operating level.

A/D Conversion

  • Crystal Semiconductor CS5361, 24 bit 128x over-sampled delta sigma converter with linear-phase anti-aliasing filter. Pre-ADC anti-alias filter, with high-pass filter at <10 Hz.
  • Connectors: Two, EMI-suppressed XLR-female. Pin 1 chassis ground, Pin 2 “Hot”

Analog Audio Output

  • Left/Right Stereo. Electronically balanced.
  • Output Impedance 20 ohms.
  • Minimum load Impedance: 600 ohms.
  • Output Level adjustable from -2 dBu to +22dBu peak in 0.1dB steps.
  • D/A Conversion: Crystal Semiconductor CS4391, 24 bit, 128x oversampled.
  • Connectors: Two, EMI-suppressed XLR-male. Pin 1 chassis ground, Pin 2 “Hot”.

Digital Audio Input

  • Configuration: Stereo per AES/EBU standard, CS8420 Digital Audio Transceiver with 24 bit resolution, software selection of stereo, mono from left, mono from right or mono from sum.
  • Automatically accepts and locks to input sample rates between 32 and 108 kHz.
  • Connector: EMI-suppressed RJ-45 female pinned according to StudioHub+® standards. Transformer isolated, balanced, and floating according to AES3 standard.

Digital Audio Output

  • Stereo per AES3 standard. Digital Output sample rate can lock to the input, lock to an additional external sync source, or use the internal 48kHz rate.
  • Connector: EMI-suppressed RJ-45 female according to Studio- Hub+® standards. Transformer isolated, balanced, and floating according to AES3 standard.

Digital Output Level

  • -24.0 to 0.0 dBFS peak, software adjustable in 0.1dB steps.

External Sync Input

  • External Sync: Allows the output sample rate to be synchronized to an AES3 signal applied to the Ext. Sync input connector. (Does not accept Word Clock inputs)
  • Connector: EMI-suppressed RJ-45 female according to StudioHub+® standards. Transformer isolated, balanced, and floating according to AES3 standard.

External Sync Range

  • Automatically accepts sample rates between 32kHz and 96kHz.
  • Connector: EMI-suppressed RJ-45 female pinned according to StudioHub+ standards, Transformer isolated, balanced, and floating according to AES3 standard.

Remote Control Methods

  • Ethernet: TCP/IP control via web page interface and JavaTM remote control program included in the web pages. All software is served from the built-in web server; there is nothing to install on the user’s computer.
  • Ports Used: The defaults are TCP Ports 4545 and 4546 (for control and metering data, respectively)
  • Connectors: Serial port – EMI-suppressed DB-9 male connector.
  • Ethernet – Industry standard EMI-suppressed RJ-45 connector.

GPI Interface

  • Connector: EMI suppressed DB-9 female connector.

Power Requirements

  • Voltage: 100-250 VAC, 47-63 Hz., Less than 40 VA.
  • Power Connector: EMI suppressed IEC male.
  • Detachable 3-wire power cords supplied for US and European use.
  • Power Supply: Internal. Overvoltage and short circuit protected. Meets EN55022, EN55011 Level B Conducted Emissions. EN61000-4-2, -3, -4, -5, -6 level 3 immunity compliant. Full international safety approval. CE marked.

Environmental

  • Operating Temperature: 32 to 122 deg. F / 0 to 50 deg. C for all operating voltage ranges. Humidity:
    0-95% RH, non-condensing.

 

Omnia ONE Multicast/DAB & Studio Pro

Note

  • All measurements made using “Bypass” mode, which is available in the Input/Output menu.

General Audio Specifications

  • Frequency Response: ± 0.50 dB, 20 Hz to 20 kHz with high pass filter disabled.
  • Distortion: Less than 0.05% THD 20 Hz – 20 kHz bandwidth.
  • *Signal-Noise Ratio: Greater than -100 dB, 20 Hz –- 20 kHz bandwidth, referenced to 0dBfs

*The measured noise floor will depend upon the settings of the Input and Output Gain controls and is primarily governed by dynamic range of the Crystal Semiconductor A/D Converter which is specified as
>100 dB. The dynamic range of the internal digital signal processing chain is >144 dB.

Stereo Separation

  • Greater than 80 dB, 20 Hz –- 20 kHz; 90 dB typical.

Analog Audio Input

  • Left/Right Stereo.
  • Electronically balanced.
  • Input impedance 10k ohms resistive.
  • Maximum Input Level +24 dBu.
  • Nominal Input Level: +4dBu (A +12dBu input results in –12dBFS input meter reading with Input Gain set to 0.0dB. A 0dBu input signal results in a -12dBFS input level when Input Gain is +12dB.)

A/D Conversion

  • Crystal Semiconductor 24 bit 128x oversampled delta sigma converter with linear-phase anti-aliasing filter. Pre-ADC anti-alias filter, with highpass filter at <10 Hz.
  • Connectors: Two, EMI-suppressed XLR-female. Pin 1 chassis ground, Pin 2 “Hot”.

Analog Audio Output

  • Left/Right Stereo. Electronically balanced.
  • Output Impedance 20 ohms.
  • Minimum load Impedance 600 ohms.
  • Output Level adjustable from -2 dBu to +22dBu peak in 0.1dB steps.
  • D/A Conversion: Crystal Semiconductor CS4390 24 bit, 128x oversampled.
  • Connectors: Two, EMI-suppressed XLR-male. Pin 1 chassis ground, Pin 2 “Hot”.

Digital Audio Input

  • Configuration: Two-channel stereo per AES3 standard via CS8420 Digital Audio Transceiver with 24-bit resolution. Software selection of stereo, mono from left, mono from right or mono from sum. Automatically accepts sample rates between 24 kHz and 96 kHz.
  • Connector: EMI-suppressed RJ-45 female pinned according to StudioHub+® standards. Transformer isolated, balanced, and floating according to AES3 standard.

Digital Audio Output

  • Stereo per AES3 standard. Digital Output sample rate software selectable for internal 48kHz, synchronize to AES input, or synchronize to auxiliary AES sync input (per AES-11 / DARS).
  • Connector: EMI-suppressed RJ-45 female according to Studio- Hub+® standards. Transformer isolated, balanced, and floating according to AES3 standard.

Digital Output Level

  • -22.0 to 0.0 dBFS peak, software adjustable in 0.1dB steps.

Digital Sync Input

  • Output sample rate can be synchronized to the signal present on the AES/EBU input or to the AES3 signal applied to the Ext. Sync connector.

External Sync Range

  • Accepts 32kHz to 96 kHz for synchronization of the Digital
  • Output signal to an external reference. Automatically accepts sample rates between 32kHz and 96kHz.
  • Connector: EMI-suppressed RJ-45 female pinned according to StudioHub+® standards, Transformer isolated, balanced, and floating according to AES3 standard.

Remote Control Methods

  • Ethernet: TCP/IP control via web page interface and JavaTM remote control program included in the web pages. All software is served from the built-in web server; there is nothing to install on the user’s computer.
  • Ports Used: The defaults are TCP Ports 4545 and 4546 (for control and metering data, respectively).
  • Connectors: Serial port – EMI-suppressed DB-9 male connector.
  • Ethernet – Industry standard EMI-suppressed RJ-45 connector.

GPI Interface

  • Connector: EMI suppressed DB-9 female connector.

Power Requirements

  • Voltage: 100-250 VAC, 47-63 Hz. Less than 25 VA.

Power Connector

  • EMI suppressed IEC male.
  • Detachable 3-wire power cords supplied for US and European use.

Power Supply

  • Internal. Overvoltage and short circuit protected. Meets EN55022, EN55011 Level B Conducted Emissions. EN61000-4-2, -3, -4, -5, -6 level 3 immunity compliant. Full international safety approval. CE marked

Environmental

  • Operating Temperature: 32 to 122 deg. F / 0 to 50 deg. C for all operating voltage ranges. Humidity:
    0-95% RH, non-condensing.

Regulatory

North America: FCC and CE tested and compliant, power supply is UL approved.

Europe: Complies with the European Union Directive 2002/95/EC on the restriction of the use of certain hazardous substances in electrical and electronic equipment (RoHS), as amended by Commission Decisions 2005/618/EC, 2005/717/ EC, 2005/747/EC (RoHS Directive), and WEEE.

Additional information

Weight 5 kg
Dimensions 55 × 40 × 15 cm

Brand

Omnia

Omnia Audio  Omnia Logo - pro FM Broadcast

Omnia Audio art of the Telos Alliance was founded by Frank Foti,. He used audio engineering/processing to enable stations to craft a unique ‘signature sound’ that was louder than anything else on the air, yet with clear sound and minimal distortion. This processing is at the core of products, allowing stations to stand out among the competition on a crowded dial. The company has continued to innovate with leading-edge and solutions-oriented broadcast audio technology. With that it has numerous accolades and awards under its belt. In fact, Omnia is now the brand leader in Audio Processing, Processing/Encoding for Streaming Audio, Voice Processing, Analysis Tools, and Studio Audio Processing. Omnia products are the choice of the majority of the Top 100 rated stations in America. Beside that they are used at most major stations worldwide. Omnia continues to push the envelope to give broadcasters the tools they need to amplify, customize, and perfect sound signatures.
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